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The Frontman

by Grover Anderson

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1.
The Good 02:52
One day, the ocean’s gonna rise up and drown everybody in New York and California One day, the left and the right are gonna start another civil war One day, the sun’s gonna increase in size til it swallows the earth So what’s the good in worrying about her? One, the flowers you bought will decay inside a landfill The tree you carved your names into will burn down into ash In time, your memories at Yellowstone will be a volcanic crater So what’s the good in worrying about that? If she says she’s gone then she’s gone Good luck trying to change a woman’s mind You may think yourself strong But what’s your heartache to time? What if the tectonic plate you live on becomes an island Then an electromagnetic pulse puts the planes and ships to ground? You’d waste your life on a raft praying currents took you to her So what’s the good in wasting it now? If she says she’s gone then she’s gone Good luck trying to change a woman’s mind You may think yourself strong But what’s your heartache to time? One day, you’re gonna feel the fool for this mighty depth of feeling But even the sharpest pain hold a little bit of worth In time, every mistake will have only made you better And there’s the good in worrying about her
2.
Amy never waits for me the way I’d like her to She runs off in all directions as I’d never think to do Even when the pathways clear and compass’s pointing true She runs off in all directions In spite of my frustration, I keep running down the line There are dreams we planned to summit and hope we swore to mine Tired though I am of traveling this beaten path alone There are places that I gotta go And I’m sick like standing water, choked with insect eggs and mud My heart’s is like a desert, hard and dry until the flood And the air is thick and heavy with a lonesome melody Set to words she often put to me Go, go, there’s nothing for you in this town You’ve seen all there is to see I want you to stay, stay, and you’d love to stick around But I can’t let you burn out here with me I won’t let you burn out here with me And I’m sick like standing water, capped with iridescent oil My instincts have gone barren, lost a dust bowl’s worth of soil And the air is thick and heavy with a lonesome melody Set to words she often put to me Go, go, there’s nothing for you in this town You’ve seen all there is to see I want you to stay, stay, and you’d love to stick around But I won’t let you burn out here with me And if you won’t come along, then there’s nothing left to do And someone else will have to write a song for you I don’t mind the city, but I prefer the road Where I’m writing from my stomach, instead of writing for my soul And when I need a little respite from this rank uncertainty An vicious psalm is always chasing me Go, go, there’s nothing for you in this town You’ve seen all there is to see I want you to stay, stay, and you’d love to settle down But I can’t let you burn out here with me And if you won’t come along, then there’s nothing left to do And someone else is gonna write a song for you And he’ll probably be a better singer too
3.
Parallel 03:09
It feels a little late to still be trying on If I were shoes you long would have returned me The day’s too long of tooth to still be dreaming of the dawn So if you will, I’d like to have a word please I won’t waste no more of your time Always saw your path running parallel to mine But though they go together, they never intertwine No use tryin’ making you believe I guess I’ll leave you, cause I don’t need you Talking yourself into me In seven years I shoulda seen it coming But I still ain’t sure what there was to see We ran out of clever ways to say “we’re doing nothing” And we ran out of fear of being free So I won’t waste no more of your time Always saw your path running parallel to mine But though they go together, they never intertwine No use tryin’ making you believe I guess I’ll leave you, cause I don’t need you Talking yourself into me Now you’re browsing the departures and I can’t help but believe If I tried a little harder we could find a way to be But I’m gonna leave you, cause I don’t need you Talking yourself into me I’m guess I’ll leave you, cause Lord knows I don’t need you Talking yourself into me
4.
Evergreen 05:02
I’ve crawled, hands and knees, through brush and brambles I’ve scaled the rocks of the vast barren hills The thorns of the desert, such a pain to handle I’ve cut up the oaks that have lost their wills Prospering fickly through insecure seasons Running from strife when the skies are no good But you, you’re evergreen, and standing right beside me Through the good days and the cold, quiet night Yeah you, you’re evergreen, til the mountain it crumbles you’ll be You’ll be up there reaching for the light But you’re already shining so bright I’ve lost love to snakes and to lions and to other climbers Sometimes the path went to places they won’t Some I chased down the hill then I pushed on higher Cause up past that tree line’s a loving home With you, you’re evergreen, and standing right beside me Through the, the good days and the cold quiet night Yeah you, you’re evergreen, til the mountain it crumbles you’ll be You’ll be up there reaching for the light But you’re already shining so bright I’ll sit in your shelter your arms are my eaves I’ll nourish your body and play in your leaves I can’t stop the fires but I’ll plant our seeds And we’ll build our home in the shade of this tree You’re evergreen, and standing right beside me Through the good days and the cold, quiet night Yeah you, you’re Evergreen, til the mountain it crumbles You’ll be, you’ll be up there reaching for the light But you’re already shining so bright You’re evergreen
5.
On Comfort 02:20
As you try to settle in, to settle down, to settle skin It occurs never again might you feel settled So you try to empathize, you never can, but hey, you tried The greedy win, innocent die, and the scales stay level And your phoenix songs, they all sound so beautiful But there’s 80 people gone, and I want heads to roll Shame on me, for thinking we’d be better When it comes to comfort, denial is the key Shame on me, in a week we’ll all forget Add it to the stack of tragedy As you try to take a break, settle down, to shake a leg It occurs to scope out cover and the exits Any vet would say that’s smart, but is this war or is it art? School and Syria and Country found a nexus And your good guy with a gun had best be white and best not run And we average one a day and I want heads to roll Shame on me, for thinking we’d be better When it comes to comfort, denial is the key Shame on me, in a week we’ll all forget Add it to the stack of tragedy
6.
The Archives 04:17
With desire to do the things you need to do And the attitude to take the time to try In the off chance the struggles just succumb to you The effort’s often better than goodbye In the archives of your heart aches there’s a litany Of opportunities taken to run Lay them out and blow the dust off, find them each to be A record of the damage done Don’t believe all you see All that you see It moves swift and it hits hard And it won’t come easily When imagining the breadth of all scenarios The worst can seize the forefront of your mind As you steel yourself for just how far the pain can go Don’t forget to stop the light from slipping by In the archives of your heartache there’s discrepancy Between the choices that you’ve made and things you’ve known Lay them out and blow the dust off, count out all the ways The heart and mind together grow Don’t believe all you see All that you see It moves swift and it hits hard And it won’t come easily And then one day it’ll strike you Like the bricks you’ve laid to wall away your heart And you’ll tremble and you’ll marvel At the vigor of a true love’s start A true love’s start In the archives of your heartache there’s a vacancy Adorned with statues made of old love’s bones Lay them out and blow the dust off, count out all the ways Two hearts and minds together grow Let your hearts and minds together grow
7.
Wasps 03:02
We got wasps in the woodpile And I don’t like my work The shower faucet’s leaking And the garden’s only dirt The internet works sometimes And the basement’s fit to flood We got a hundred things to tend to We’ll ignore them all because There’s a Jeep and a dirt road And the dogs in the backseat There’s a rock beside a river To sit and dip our feet It there’s a chance we’re gonna take it If there’s trouble learn to shake it If there’s a backyard, guitar As long as we can see the stars We’re gonna make it We got wasps in the woodpile And isn’t it a shame That we can’t heat our home for comfort Without risking stinging pain And there’s a metaphor there that we’re Too lazy to find But I got your love around me And I’m giving you all mine One day, we’ll earn a little money and we’re gonna be just fine We’ll host parties with more than records and cheap wine One day, we’re gonna turn this house into a hive But for now let’s take a ride We got a Jeep and a dirt road And the dogs in the backseat We got a rock beside a river To sit and dip our feet It there’s a chance we’re gonna take it If there’s trouble learn to shake it If there’s a backyard, guitar As long as we can see the stars We’re gonna make it
8.
Frontman 03:41
Driving six hours on a Saturday To play for fifty in a bar across the state No one in the room will know ya But for two hours you sing Louder than the forks hitting plates Keep the expectations humble Sing your favorite line and someone cracks a smile and you’re embarrassingly proud Don’t they know that you’re the frontman Of the second biggest band in your small town? On the weekdays you teach high school Students troll you with your videos online And you play at all the wineries Which really means you drink far too much wine But goddamn do you feel special When a stranger wants to know when Your next album’s coming out Just the perks of being frontman Of the second biggest band in your small town As you thank people for coming Someone grabs you by the hand Says you need to find a publisher, An agent, and a brand And you smile and nod politely Pack up t-shirts and cds Knowing full well that the only way To make it is to leave It’s been one hell of a summer Made good money and the guys all got along Opened up for a famous classic rock band Minus the singer who wrote all of their songs Now people are asking was that the big break that Carries your songs all the world around And your answer’s optimistic But you’re just the thirtysomething frontman Of the second biggest band in your small town You thank god for local radio And community that cares When a tourist from the city says “You’re putting yourself out there” Sometimes your dreams wander When you’re up drinking alone But really all you’ve ever wanted was This baby, wife, and home So you burden your odometer Load & unload gear more times than you can count And you love being the frontman Of the second biggest band in your small town We post all our shows on Facebook We’re the second biggest band in your small town Add my songs to all your playlists I’m the thirtysomething dad-bod-rockin acoustic guitar playing eponymous frontman of the second biggest band in your small town

about

One October, a man and a woman cashed in their savings, packed up their apartment in Oakland, and drove to their new home 100 miles east, 2800’ higher, and twenty minutes out a decrepit one-and-a-half lane road into the wilderness of the Sierra Nevada foothills. Through it all, he played his songs.
They spent autumn nights drinking wine on the back deck, staring up at the pine trees that stood in the yard and willing their nascent marriage to grow with the same permanence. As they swayed, he wrote “Evergreen” and looked to the future.
The nights got cold. They hiked through the snow, discovered how unreliable “rural internet” can be, and learned the secrets of their finicky wood stove. They brought in logs overnight and placed them on the hearth, then woke to find strange, stinging, red insects buzzing around the living room. He wrote “Wasps” and fancied himself an amateur entomologist.
Snow turned to rain, and flooding made him ford a creek on his daily drive to town. The skies were stormy and the news was dark; he considered how the world was changing, as was what he wanted from it. He learned, he grew, and he wrote “The Good” for the person he had been.
The rains cleared, and he walked Forest Service roads with his dog. He saw the way ruts had filled with murky, muddy pools, and fear of stagnancy began to fill him. Remembering that they met while he travelled the nation playing his songs, he wrote “Standing Water” to fend off doubt.
They gathered with old friends, one in particular who’d sought a love like the one they shared and come up short. He wrote “Parallel” as his heart broke, reminded how fortunate they were.
Their daughter was born, and as he contemplated the father he wanted to be he encountered parents overwhelmed by struggle. He wrote “The Archives” for them and for himself.
The skies cleared but the news remained dark, and one particular day brought fire to the north, evil to the south, death to both. A dear friend wrote a powerful song calling people to rise together, yet he wrote “On Comfort” admitting that he couldn’t bring himself to do it.
Through it all, he played his songs. She supported him as he travelled when he could and played at home when he couldn’t. People listened, danced, and sang along, and when he went home to his family he knew he was exactly where he wanted to be. One day, a world-famous band came to town, and he was asked to open. Not just any band, but the band who wrote the first song he’d ever learned to play. Sure, their lead singer-songwriter had long since departed with acrimony, but that didn’t matter. He stood on the biggest stage in his hometown and had the best gig of his life.
A few weeks later, he drove twenty minutes down a decrepit one-and-a-half lane road out of the wilderness, then 100 miles west, descending 2800’ to play a small stage in a small bar on the bay. Before he loaded in his gear, he wrote “Frontman” in the parking lot. He swore that he had not yet reached his peak.
—Grover Anderson lives outside of Murphys, CA with his wife and daughter

credits

released June 10, 2019

All songs by Grover Anderson (ASCAP)

Mixed & Mastered by Michael Clebanoff
Recorded in Murphys, CA, with additional recording in Lodi, CA, Sonora, CA, & Fairbanks, AK

Jacket design by Grover Anderson • Artwork by Benjamin Albright

Special thanks to Katie, Joelle, Mom, Dad, Hattie, Lexi, the Hoops, the Swanks, the Schluntz/Eastlands, Chris Stevens, Diana Toste, Jessica Delaney, Jacinda Henry, Stevenot Winery, Newsome Harlow, Marisa Scott-Lopez, Isabel Moncada, Ron Schaner, Mike Dawson, Mark Truppner, Bridgette Fanucchi, Joe Marshall, Owen Ridings, Rayshaun Grimes, Shelby French, Claimstake Brewing, Daniel Kushnir, Steve Key, David Duggan, Verne & Melissa Johnson, & the inexhaustibly supportive community of Calaveras County

Copyright 2019

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Grover Anderson Murphys, California

Grover lives in Murphys, CA with his wife Katie (also a high school teacher) and their two daughters. The variety of bands that he’s opened for (including America, Matt Stell, Birds of Chicago, and The Charlie Daniels Band) reflects the crossover appeal of his music, which folks have labelled folk, country, rock, and Americana. Grover doesn’t really care what folks call it as long as it moves them ... more

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